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Archived
files |
1.Intro to Maya\1.Introduction.mp4
[cb7162244dcd63ca]
|
22,687,574 |
125D0134 |
1.Intro to Maya\10.Modelling the Shovel handle.mp4
[4f31250d8076e99]
|
121,394,989 |
E5E5BD2E |
1.Intro to Maya\11.Modelling the Shovel head.mp4
[ced3df720e163084]
|
108,795,966 |
57F90CC6 |
1.Intro to Maya\12.Modelling the Shovel connection.mp4
[9ac3ef8cb3daca14]
|
81,505,956 |
5C86291E |
1.Intro to Maya\13.Modelling the Combat Knife.mp4
[e01be95d957f97ae]
|
144,471,758 |
FD3EF16F |
1.Intro to Maya\14.Modelling the Combat Knife cover.mp4
[e0f54859a9081324]
|
57,106,201 |
CB79C60D |
1.Intro to Maya\2.Project Overview.mp4
[7ebf4490ef0ca8a0]
|
16,533,062 |
DB790D66 |
1.Intro to Maya\3.Maya UI and Projects.mp4
[f2c1618a61f60ce5]
|
79,632,916 |
2876B221 |
1.Intro to Maya\4.3D Components.mp4
[c5d40dfb1e1f32a8]
|
36,146,105 |
9580F0E7 |
1.Intro to Maya\5.Maya Customization.mp4
[b3fdb4f97020679d]
|
24,483,862 |
F514183B |
1.Intro to Maya\6.Basic Modelling Tools.mp4
[d271d33a8afe6947]
|
138,391,872 |
BBC2BB8A |
1.Intro to Maya\7.Modelling the first prop.mp4
[1b1604a840898a80]
|
137,815,767 |
2882CBEF |
1.Intro to Maya\8.Complete Pipeline Overview.mp4
[758cb9df27fcfe19]
|
55,247,676 |
0BBB0951 |
1.Intro to Maya\9.Modelling the Shovel.mp4
[6beb17a17569cf13]
|
131,711,896 |
4FC67589 |
2.Intro to Zbrush\15.Intro to Zbrush.mp4
[6c3436aae94c31dd]
|
64,597,804 |
7F6363C6 |
2.Intro to Zbrush\16.Intro to sculpting.mp4
[7993f93449f67f15]
|
72,458,051 |
92593EA2 |
2.Intro to Zbrush\17.Sculpting a Stylized Skull.mp4
[3140b4aee7997c38]
|
84,831,094 |
863ED767 |
2.Intro to Zbrush\18.Detailing the Stylized Skull.mp4
[80fd2ceb048d9186]
|
65,857,501 |
80526A47 |
2.Intro to Zbrush\19.Common Zbrush Errors.mp4
[b22180d8c9ceb9c1]
|
25,355,012 |
D86E8143 |
2.Intro to Zbrush\20.Zbrush Cutsom UI.mp4
[908febe6795c0bd3]
|
32,965,664 |
94E9BA3F |
2.Intro to Zbrush\21.Using a Base Mesh.mp4
[3f988768fea42448]
|
48,921,447 |
11703481 |
2.Intro to Zbrush\22.Planes of the Face.mp4
[94296ab9e31c2c8c]
|
62,612,294 |
8E1AF3F8 |
2.Intro to Zbrush\23.Refining the Face.mp4
[716f942322df9b0f]
|
101,435,155 |
BD7733E0 |
2.Intro to Zbrush\24.Maya and Zbrsuh Bridge.mp4
[8142acc419f35bfb]
|
52,055,620 |
676C5FEC |
2.Intro to Zbrush\25.Modelling the Jacket.mp4
[a2785b05facd42d2]
|
62,612,068 |
A11344AA |
2.Intro to Zbrush\26.Modelling the Pants.mp4
[dff3a488c8ac557c]
|
13,948,872 |
4663D46E |
2.Intro to Zbrush\27.Anatomy of the Folds.mp4
[38b6eb31b7f06baf]
|
79,415,638 |
28A3A1C9 |
2.Intro to Zbrush\28.Refining the Jacket Part1.mp4
[e5227096f205b6a8]
|
74,845,550 |
4D466076 |
2.Intro to Zbrush\29.Refining the Jacket Part2.mp4
[d286623ab47c1094]
|
95,264,387 |
A3A63DE0 |
2.Intro to Zbrush\30.Refining the Pants Part1.mp4
[505665833b60976e]
|
63,128,119 |
0BFEB87A |
2.Intro to Zbrush\31.Refining the Pants Part2.mp4
[47a2227f2a593a7a]
|
38,272,693 |
883CDE65 |
2.Intro to Zbrush\32.Refining the Face Topology.mp4
[6f78870fe5d1e44d]
|
68,516,866 |
1ABD304C |
2.Intro to Zbrush\33.Modelling the Inside of the Mouth.mp4
[44db15d226c4d89a]
|
101,426,067 |
240FDD64 |
2.Intro to Zbrush\34.Detailing Ears.mp4
[c7ef02fef020be02]
|
43,601,134 |
115144D4 |
2.Intro to Zbrush\35.Block of the hair.mp4
[1116e43aeb6fff8]
|
107,310,472 |
F2B53AE5 |
2.Intro to Zbrush\36.Sculpting the Hair Part1.mp4
[cbcf71e0015c0110]
|
44,833,587 |
A972D66D |
2.Intro to Zbrush\37.Sculpting the Hair Part2.mp4
[32e309da67c39fe9]
|
62,363,192 |
60E990C6 |
2.Intro to Zbrush\38.Modelling the hands.mp4
[4f6ee0052d1cd33b]
|
65,924,967 |
8B7F8586 |
2.Intro to Zbrush\39.Refining the hands.mp4
[460e9a6d95cee14b]
|
54,240,735 |
383C807A |
2.Intro to Zbrush\40.Scene Assembly.mp4
[b387e3e977642781]
|
95,242,808 |
43F46FA5 |
3.Prop Modelling\41.Modelling the Sleeping Bag Part1.mp4
[7531e27194a0d1a1]
|
116,590,626 |
3BC226E4 |
3.Prop Modelling\42.Modelling the Sleeping Bag Part2.mp4
[169d2be4c1cc20f2]
|
227,640,266 |
5A8001B0 |
3.Prop Modelling\43.Modelling Belt Buckles.mp4
[1d021b573ba740d0]
|
166,917,002 |
EBDEABED |
3.Prop Modelling\44.Refining Belt Buckles.mp4
[f89af35940c55b81]
|
121,913,567 |
6E002D09 |
3.Prop Modelling\45.Modelling the Backpacks.mp4
[7d93c60170760925]
|
133,043,236 |
C091F4F1 |
3.Prop Modelling\46.Refining Backpack a .mp4
[642b5b52f48cf40c]
|
96,586,593 |
658C4F31 |
3.Prop Modelling\47.Refining Backpack b.mp4
[c6049c0f73c2626e]
|
138,414,668 |
C6FF6B75 |
3.Prop Modelling\48.Refining Backpack c.mp4
[9992eab4c534b9e2]
|
92,982,402 |
D939CF69 |
3.Prop Modelling\49.Refining Backpack d.mp4
[369dadfab0259d16]
|
105,239,814 |
A9AA5B7F |
3.Prop Modelling\50.Organizing Our Assets.mp4
[9c96fa9541c2fc54]
|
89,005,065 |
32C3230F |
3.Prop Modelling\51.Modelling the Front Bag.mp4
[30d5a81f972b737c]
|
97,546,382 |
50CB1A3F |
3.Prop Modelling\52.Watertight Models.mp4
[e0be7eb254849f]
|
240,727,008 |
F806EB39 |
3.Prop Modelling\53.Modelling Magazine Bags.mp4
[61e0749e9d66c9e]
|
104,458,662 |
1D633407 |
3.Prop Modelling\54.Modelling secondary Magazine Bags.mp4
[2bc808546a2d753b]
|
46,270,044 |
67F3F2B6 |
3.Prop Modelling\55.Modelling the Watch.mp4
[516d51c67f1bd9d9]
|
135,366,801 |
55F6ACB9 |
3.Prop Modelling\56.Modelling the Chest Belt Part1.mp4
[8d97878ddd8f0232]
|
95,439,024 |
4F49FB29 |
3.Prop Modelling\57.Modelling the Chest Belt Part2.mp4
[f23c9f32f865331]
|
131,841,739 |
FCF87EBF |
3.Prop Modelling\58.Modelling the Chest Belt Part3.mp4
[b478f4dbef6858e3]
|
124,758,046 |
C88A0220 |
3.Prop Modelling\59.Adding Jacket Details.mp4
[32d40ba818a3398f]
|
120,143,316 |
26236239 |
3.Prop Modelling\60.Modelling the Kneepad.mp4
[e8d65adfe2289181]
|
99,883,762 |
15F32C5B |
3.Prop Modelling\61.Modelling the Boots Part1.mp4
[438515f6b6c7c63a]
|
154,475,354 |
71E4393A |
3.Prop Modelling\62.Modelling the Boots Part2.mp4
[98d41b121bd9d5a2]
|
128,704,529 |
821FF169 |
3.Prop Modelling\63.Modelling the Boots Part3.mp4
[8b6f855283045772]
|
86,426,927 |
B8E66963 |
3.Prop Modelling\64.Modelling the Scar Part1.mp4
[11cfb43376a65f7]
|
168,396,599 |
1806C2D3 |
3.Prop Modelling\65.Modelling the Scar Part2.mp4
[e81cc1884c417b05]
|
124,600,093 |
24C3243E |
3.Prop Modelling\66.Modelling the Scar Part3.mp4
[e6f3c85851b8ca7d]
|
127,049,686 |
0196E468 |
3.Prop Modelling\67.Modelling the Scar Part4.mp4
[f6833093aed4fc65]
|
97,505,773 |
8E45DBE9 |
3.Prop Modelling\68.Modelling the Scar Part5.mp4
[dffaaee8b45b846f]
|
67,049,748 |
13D5B035 |
3.Prop Modelling\69.Modelling the Scar Part6.mp4
[1dc02c93e9b45de3]
|
94,618,343 |
C0D68BDC |
3.Prop Modelling\70.Modelling the Pistol Part1.mp4
[c11b7f25091b9512]
|
169,536,786 |
2BF37D69 |
3.Prop Modelling\71.Modelling the Pistol Part2.mp4
[9f3b5a02e2930097]
|
114,132,665 |
37EB62C8 |
3.Prop Modelling\72.Modelling the Pistol hoster.mp4
[26c4a6844bf8f23f]
|
86,104,592 |
28A22A92 |
3.Prop Modelling\73.Preparing Objects for Final Polish.mp4
[e1ee86578abc8530]
|
62,170,003 |
EA4E9142 |
3.Prop Modelling\74.Final Details on the Pants.mp4
[9c4d7153f19a2a41]
|
62,424,817 |
B2B98AA7 |
3.Prop Modelling\75.Final Details Bags.mp4
[a92f190666cea9a]
|
37,618,760 |
F41FAC49 |
3.Prop Modelling\76.Preparing the High polys.mp4
[f9edef5c169d6e33]
|
56,998,213 |
BD16321C |
4.Retopology\100.Retopology of the Gun Holster part1.mp4
[545bb06d7b819648]
|
90,522,799 |
382EA988 |
4.Retopology\101.100.Retopology of the Gun Holster part2.mp4
[a97515ef6e946836]
|
75,994,286 |
9CAE8770 |
4.Retopology\102.Retopology of the Scar Part1.mp4
[e22e0f1ae6f42b0c]
|
162,040,179 |
6456DAE3 |
4.Retopology\103.Retopology of the Scar Part2.mp4
[516e9a99727b7dda]
|
146,611,259 |
6EA9B554 |
4.Retopology\104.Retopology of the Scar Part3.mp4
[48a816eaba6f8e91]
|
138,015,099 |
F3263764 |
4.Retopology\105.Retopology of the Scar Part4.mp4
[736b9000087e646c]
|
90,689,743 |
AAE6D419 |
4.Retopology\77.Retopology of the Face part1.mp4
[c07daa2ba2da29a9]
|
90,733,938 |
918516A0 |
4.Retopology\78.Retopology of the Face part2.mp4
[3a52181c2fda51a1]
|
79,866,263 |
05DAA490 |
4.Retopology\79.Retopology of the Face part3.mp4
[e980884aad249ad8]
|
120,520,373 |
2D3E08FA |
4.Retopology\80.Retopology of the Neck.mp4
[2194cdfb834f5c0e]
|
110,080,737 |
D4DF52C8 |
4.Retopology\81.Retopology of the Shoulder.mp4
[5e4815a3ed0ee44d]
|
142,822,678 |
F9C16545 |
4.Retopology\82.Retopology of the Arm.mp4
[7ab802fb32d436b9]
|
74,385,752 |
038A2701 |
4.Retopology\83.Retopology of the Forearm.mp4
[2560fc731cb7fb72]
|
69,826,429 |
97608F7F |
4.Retopology\84.Retopology of the Hands.mp4
[74f2f6cc6838ffff]
|
98,621,966 |
DED8F91B |
4.Retopology\85.Retopology of the Shoes.mp4
[9f41ef785015316c]
|
127,572,194 |
6D5C16A4 |
4.Retopology\86.Retopology of the Lower Pants.mp4
[67bd011fba1da34]
|
96,514,110 |
39411EC1 |
4.Retopology\87.Retopology of the Upper Leg.mp4
[3f0eb23559c28e74]
|
146,773,482 |
071FA259 |
4.Retopology\88.Retopology of the Leg Details Part1.mp4
[b6f2082d931db85f]
|
123,483,941 |
A5E0866E |
4.Retopology\89.Retopology of the Leg Details Part2.mp4
[11942d95e327945b]
|
43,662,125 |
72CA05CB |
4.Retopology\90.Retopology of the Back.mp4
[5da07ab6c1c22df5]
|
164,630,148 |
0B06BCE0 |
4.Retopology\91.Retopology of the Chest Part1.mp4
[7832a20fea5773a2]
|
179,171,844 |
D7CF9AF9 |
4.Retopology\92.Retopology of the Chest Part2.mp4
[f932cc928b777d97]
|
38,118,973 |
BCC6C271 |
4.Retopology\93.Retopology of the Chest Part3.mp4
[c4890d3882783771]
|
106,454,472 |
F6CE9ECE |
4.Retopology\94.Retopology of the Hair.mp4
[a9eef677ad18aad]
|
115,106,405 |
7E01451D |
4.Retopology\95.Retopology of the Bags.mp4
[39837c15993e1510]
|
90,937,672 |
F22ECDBD |
4.Retopology\96.Retopology of the Sleeping Bag.mp4
[ea53ea42c2f850a6]
|
147,688,728 |
C3969E51 |
4.Retopology\97.Retopology of the Non Decimated Props Part1.mp4
[74f34fadd48eaf8c]
|
136,577,077 |
7A27470C |
4.Retopology\98.Retopology of the Non Decimated Props Part2.mp4
[7fd4daf0a537cd58]
|
146,372,016 |
4C25C131 |
4.Retopology\99.Retopology of the Gun.mp4
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|
130,500,729 |
2064D1D4 |
5.UV and Bake\106.UV Theory.mp4
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|
101,195,016 |
BEF5080F |
5.UV and Bake\107.Baking Theory.mp4
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|
116,491,145 |
DD240F1B |
5.UV and Bake\108.Uving the Bags.mp4
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|
145,470,314 |
2FA48C40 |
5.UV and Bake\109.Uving the Props.mp4
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|
148,511,555 |
36D75593 |
5.UV and Bake\110.Uving the Character Part1.mp4
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|
204,031,281 |
A4785F07 |
5.UV and Bake\111.Uving the Character Part2.mp4
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|
138,149,139 |
0C76F33B |
5.UV and Bake\112.Uving the Guns.mp4
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|
176,391,779 |
82CEDAEB |
5.UV and Bake\113.Preparing Files for Bakes.mp4
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|
110,012,198 |
9BE0BD41 |
6.Texturing\114.Introduction to Substance Painter.mp4
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|
78,747,217 |
C9B4BC11 |
6.Texturing\115.Stylized Texturing.mp4
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|
53,073,402 |
0B6827DF |
6.Texturing\116.Texturing the Body Part1.mp4
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|
53,701,758 |
2A1732E4 |
6.Texturing\117.Fixing the Rope.mp4
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|
75,141,962 |
8B57F709 |
6.Texturing\118.Texturing the Body Part2.mp4
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|
78,772,958 |
8387F514 |
6.Texturing\119.Texturing the Body Part3.mp4
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|
62,676,635 |
31846FED |
6.Texturing\120.Texturing the Pants.mp4
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|
55,152,384 |
620D4EFE |
6.Texturing\121.Texturing the Boots.mp4
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|
31,165,559 |
9E5B3339 |
6.Texturing\122.Texturing the Skin Part1.mp4
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|
47,904,110 |
97FB96BA |
6.Texturing\123.Texturing the Skin Part2.mp4
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|
58,204,682 |
078EF0C6 |
6.Texturing\124.Texturing the props Part1.mp4
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|
67,729,434 |
72865DCF |
6.Texturing\125.Texturing the Props Part2.mp4
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|
84,977,536 |
F43A42ED |
6.Texturing\126.Texturing the guns.mp4
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|
74,318,507 |
025DF034 |
7.Rendering\127.Exporting the Textures.mp4
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|
69,011,760 |
A3D2CB7E |
7.Rendering\128.Marmoset Basics.mp4
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|
111,966,611 |
3B0EB79B |
7.Rendering\129.Basic rig.mp4
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|
190,035,771 |
EC1151BA |
7.Rendering\130.Basic Skin.mp4
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|
271,729,422 |
68C8FBC4 |
7.Rendering\131.Placing the Props.mp4
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|
117,089,672 |
FEC33517 |
7.Rendering\132.Final Presentation.mp4
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|
26,342,485 |
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1.Intro to Maya |
0 |
00000000 |
2.Intro to Zbrush |
0 |
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3.Prop Modelling |
0 |
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4.Retopology |
0 |
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5.UV and Bake |
0 |
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6.Texturing |
0 |
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7.Rendering |
0 |
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Total size: |
12,992,833,017 |
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