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RAR-files |
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| Total size: |
747,865,417 |
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|
| Archived
files |
|
Charts\A Second Embellishment.pdf |
116,262 |
E976CD90 |
|
Charts\A Stop Time Solo.pdf |
54,342 |
9426FA26 |
|
Charts\A Third Embellishment.pdf |
71,974 |
246C899D |
|
Charts\A7 Fill.pdf |
53,809 |
96B78C93 |
|
Charts\Adding an Intro.pdf |
54,820 |
814AE4A3 |
|
Charts\Adding the A#dim and Fills.pdf |
61,533 |
AC1B5FD5 |
|
Charts\Adding the A7 Fill to the Fancier Chorus.pdf |
64,332 |
A2EBEFDF |
|
Charts\Adding the C#7.pdf |
60,930 |
53D3A60A |
|
Charts\Adding Turnarounds - To The Progression.pdf |
60,660 |
766026CD |
|
Charts\Blues in A.pdf |
65,942 |
655CC0E1 |
|
Charts\Changing the Progression.pdf |
62,331 |
D02FEC63 |
|
Charts\Combining what We Know Into an Arrangement 2.pdf |
94,666 |
82318857 |
|
Charts\Combining what We Know Into an Arrangement.pdf |
106,816 |
68D904B9 |
|
Charts\Complete Harmonized E7 and A7 Pattern.pdf |
68,483 |
D5911ADD |
|
Charts\Constant Bass Exercises.pdf |
59,231 |
056C4E7C |
|
Charts\Constant Bass Solo.pdf |
55,490 |
C43818E1 |
|
Charts\Constant Bass w_ E Major Pentatonic Scale.pdf |
96,332 |
C33DA9BF |
|
Charts\Contrary Motion Turnarounds.pdf |
56,601 |
19B6C386 |
|
Charts\Descending Turnaround Variations.pdf |
57,676 |
13E73DB9 |
|
Charts\E Major Pentatonic Scale.pdf |
48,063 |
C868DE49 |
|
Charts\E7 to A7.pdf |
58,452 |
09039A45 |
|
Charts\Early Rock n' Roll - Rhythm Pattern.pdf |
69,518 |
3CF16489 |
|
Charts\Embellishing - The Pattern.pdf |
75,190 |
58EF22B2 |
|
Charts\Fills.pdf |
62,100 |
F3CF456B |
|
Charts\Harmonized Patterns - and Turnarounds.pdf |
58,833 |
89B413A7 |
|
Charts\Harmonizing - The Pattern.pdf |
58,245 |
3571E8F8 |
|
Charts\Ideas for A7 Chords.pdf |
61,460 |
72F0EED8 |
|
Charts\Ideas for E7 Chord.pdf |
66,097 |
97D9BB9C |
|
Charts\More E7 Chords.pdf |
47,746 |
30358C40 |
|
Charts\More Fills.pdf |
46,708 |
84D6CB6D |
|
Charts\New Rhythm Pattern - E7 and A7.pdf |
64,163 |
141BA9AC |
|
Charts\New Scale Fingering.pdf |
64,150 |
541CFE7B |
|
Charts\Some New Changes.pdf |
59,971 |
1B30CC53 |
|
Charts\Turnarounds and Variations.pdf |
59,973 |
47AE59E6 |
|
Charts\Turnarounds.pdf |
55,802 |
0D33B6E8 |
|
Charts\Using the Contrary Turnaround.pdf |
55,788 |
98A25145 |
|
Charts\Variations on Moving Bass.pdf |
61,404 |
4A1B17AD |
|
Charts\Walking Bass Pattern.pdf |
48,663 |
5874E86D |
|
Videos\1. Acoustic Blues Handbook - Introduction.mp4
[f07cbe65518a210c]
|
12,355,548 |
AE64EFC7 |
|
Videos\10. A Second Embellishment.mp4
[c8c4e471bceea9c5]
|
21,127,816 |
0B1F0DC6 |
|
Videos\11. A Third Embellishmen.mp4
[9c037dbc3e06cceb]
|
21,039,268 |
0F0E791B |
|
Videos\12. A7 Fill.mp4
[46f6b840ca599fa2]
|
16,888,792 |
15D9BE01 |
|
Videos\13. Adding the A7 Fill to the Fancier Chorus.mp4
[b2918a79ac93116f]
|
10,384,368 |
8935CCA8 |
|
Videos\14. Combining what We Know Into an Arrangement.mp4
[74fcd4370c2cf2fb]
|
25,430,760 |
4A96F3BF |
|
Videos\15. Complete Harmonized E7 and A7 Pattern.mp4
[dace6a7f5da185e1]
|
29,956,296 |
AE046C16 |
|
Videos\16. Turnarounds and Variations.mp4
[991345d0e20c4ece]
|
18,870,500 |
48E97A38 |
|
Videos\17. Contrary Motion Turnarounds.mp4
[ffe7603600194a88]
|
23,231,724 |
C40B120E |
|
Videos\18. Descending Turnaround Variations.mp4
[365410da9a859a06]
|
25,054,196 |
BFAEFB7E |
|
Videos\19. Changing the Progression.mp4
[5cf52d30f07f2f26]
|
19,901,116 |
85C1F874 |
|
Videos\2. Holding The Guitar.mp4
[75e52aee8addc86a]
|
13,958,436 |
4F749CA9 |
|
Videos\20. Fills.mp4
[3b21b022f8f06474]
|
23,055,380 |
311D36F9 |
|
Videos\21. More Fills.mp4
[e912c30cb301f76f]
|
15,852,536 |
0DBD2DF2 |
|
Videos\22. A Stop Time Solo.mp4
[d8abf269a43906a6]
|
18,043,488 |
0CF6E20A |
|
Videos\23. Constant Bass Exercises.mp4
[514db157c01bee53]
|
16,641,196 |
FEF66CF3 |
|
Videos\24. Constant Bass Solo.mp4
[37aa6b88c1a6372]
|
16,181,912 |
EB3D0C13 |
|
Videos\25. E Major Pentatonic Scale.mp4
[a5801bd60a0d5611]
|
12,720,080 |
F99D184E |
|
Videos\26. Constant Bass w_ E Major Pentatonic Scale.mp4
[aeac004c164deec0]
|
17,242,608 |
9727BE48 |
|
Videos\27. New Scale Fingering.mp4
[9ba6eac5a230885f]
|
13,738,852 |
4AB3AD8A |
|
Videos\28. Walking Bass Pattern.mp4
[34519c4fe1b22e43]
|
21,843,720 |
D0B09F6F |
|
Videos\29. Some New Changes.mp4
[2b52381c98266826]
|
8,090,768 |
8D2BD210 |
|
Videos\3. Early Rock n' Roll - Rhythm Pattern.mp4
[7d83f9502ff00371]
|
25,994,384 |
3F86B03C |
|
Videos\30. Adding the C#7.mp4
[2232d6381b317aa9]
|
15,196,416 |
917912BD |
|
Videos\31. Adding the A#dim and Fills.mp4
[a250a054d868925f]
|
12,282,416 |
528A4D71 |
|
Videos\32. Combining what We Know Into an Arrangement 2.mp4
[fe6be89f3453d0ef]
|
16,370,852 |
36D3A094 |
|
Videos\33. Variations on Moving Bass.mp4
[3a7fb38e8429faf7]
|
10,880,688 |
EBDB1615 |
|
Videos\34. Adding an Intro.mp4
[fc53a48d8461e070]
|
10,195,992 |
2726CE70 |
|
Videos\35. More E7 Chords.mp4
[925c78afb3bfd171]
|
8,690,864 |
26E3B3D2 |
|
Videos\36. Ideas for E7 Chord.mp4
[a7ef05b0240ee596]
|
18,296,536 |
2BBCCD0A |
|
Videos\37. More A7 Chords.mp4
[426acf9ec1ad707b]
|
7,023,868 |
BA0BB405 |
|
Videos\38. Ideas for A7 Chords.mp4
[8a758df8f40825a9]
|
6,673,812 |
7CE61E64 |
|
Videos\39. E7 to A7.mp4
[e1710d3b9e4b9936]
|
13,272,800 |
C72FF88E |
|
Videos\4. New Rhythm Pattern - E7 and A7.mp4
[c258b5fb825322f5]
|
20,430,524 |
8477904D |
|
Videos\40. Using the Contrary Turnaround.mp4
[e0c96cb6a9ce5b8d]
|
8,980,760 |
FC7EE76E |
|
Videos\41. Blues in A.mp4
[6a234b51125cea18]
|
11,517,444 |
F82A25C5 |
|
Videos\42. Putting It All Together.mp4
[888aafe75169a67a]
|
15,456,420 |
3CC3170B |
|
Videos\43. Acoustic Blues Handbook - Conclusion.mp4
[d0b5a0f53362e3ac]
|
1,816,644 |
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|
Videos\5. Turnarounds.mp4
[79934bee28e3543b]
|
27,544,820 |
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|
Videos\6. Adding Turnarounds - To The Progression.mp4
[694247f2ce40b48d]
|
19,025,036 |
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|
Videos\7. Harmonizing - The Pattern.mp4
[9ba7c1a9a2630a09]
|
38,079,024 |
2C3C4F32 |
|
Videos\8. Harmonized Patterns - and Turnarounds.mp4
[43deb94cfb2d35c8]
|
12,671,388 |
C7C33775 |
|
Videos\9. Embellishing - The Pattern.mp4
[ef8c50a69bcb4173]
|
21,643,124 |
BD60F7D2 |
|
Charts |
0 |
00000000 |
|
Videos |
0 |
00000000 |
|
| Total size: |
726,097,728 |
|
|
